THE FILM-ESSAY - HISTORY OF CINEMATIC SUBJECTIVITY
1930
1940
1950
1960
1970
1980
1990
2000
2010
2014
I See Infinite Distance Between Any Point and Another
OTOLITH GROUP
2012
Man With a Movie Camera
DZIGA VERTOV
1929
À Propos de Nice
JEAN VIGO
1930
Listen to Britain
HUMPHREY JENNINGS
1942
Night and Fog
ALAIN RESNAIS
1955
2 or 3 Things I Know About Her
JEAN-LUC GODARD
1968
Notes Towards an African Orestes
PIER PAOLO PASOLINI
1970
Images of the World and the Inscription of War
HARUN FAROCKI
1988
London
PATRICK KEILLER
1994
São Paulo, Sinfonia e Cacofonia
JEAN-CLAUDE BERNADET
1995
The Five Obstructions
LARS VON TRIER
2004
Dogville
LARS VON TRIER
2004
Sans Soleil
CHRIS MARKER
1988
F For Fake
ORSON WELLES
1977
Fahrenheit 9/11
MICHAEL MOORE
2004
Annie Hall
WOODY ALLEN
1977
A Spy in the House That Ruth Built
VANALYNE GREEN
1989
Festen
THOMAS VINTERBERG
1998
Los Angeles Plays Itself
THOM ANDERSEN
1930
FILMS
CONFERENCES AND
PUBLICATIONS
The Film Essay: a New Form of Documentary Film
HANS RICHTER
1940
The Birth of the New Avant-Garde
ALEXANDER ASTRUC
1948
Nonfiction Film, Theory and Criticism
RICHARD MERAN BARSAM
1976
In Search of the Centaur: the Essay Film
PHILIP LOPATE
1992
Representing Reality
BILL NICHOLS
1991
The Personal Camera
LAURA FRASCAROLI
2009
Chris Marker
NORA ALTER
2006
Der Essayfilm:Ästhetik und Aktualität
SVEN KRAMER AND THOMAS TODE
2011
The Essay Film, From Montagne to Marker
TIMOTHY CORRIGAN
2011
Thinking Images
DAVID MONTEIRO
2012
Format 3
ARCHITECTURAL ASSOCIATION
2013
conferences
publications
Blurred Boundaris
BILL NICHOLS
1994